There’s something wrong with CBS Radio’s press release announcing the launch, complete with silly “countdown,” of 92.3 Now FM in New York City, a contemporary hit radio station that will replace K-Rock on Wednesday, March 11, at 5:00pm. (Contemporary hit radio, in plain English, means garbage pop songs, distinguished by their use of auto-tune and use of lowest-common-denominator song-writing.) CBS Radio Senior Vice-President of Something or Other, Don Bouloukos, is quoted in the release as saying, “Our assets in the country’s No. 1 market include among them the best known brands in the business. From the most listened to news and sports stations in the country, to the classic sounds of WCBS FM and the adult contemporary styling of Fresh 102.7, CBS RADIO offers something for everyone in the market – including young adults who are using the radio to discover today’s most popular music as featured on 92.3 NOW FM.” [Emphasis added, obviously.] And that, friends, is why the radio business, as we know it, is truly doomed. No, Mr. Bouloukos, young people are not turning on their radio to discover new music; they’re certainly not sticking around through the commercials to listen to new music on a radio station. No, sir, that’s what the Internet is for, and that’s why your business has no future.

Some background information is needed here. For only one more day, 92.3 FM in New York City will be known as K-Rock, a typical rock station that you can find in any city in the U.S. If you can think of a rock song from the past 20 years, odds are, the station will play it. Twenty times per day. The latest ratings put the station at 21st place, one spot higher than a gospel station—there’s people who listen to gospel music in New York City?—and right behind a Univision-owned Latin Rhythm station. K-Rock, as a whole, isn’t doing too well. In fact, it’s doing so poorly that CBS Radio decided it was necessary to completely flip formats. Out with the Green Day and in with the Beyoncé! Opie and Anthony, a show I’ve enjoyed for several years now, was let go, according to Opie’s Twitter. It, apparently, doesn’t fit in with the station’s new direction. Fair enough, it’s for CBS Radio to decide if the show is relevant to the demographics it’s now targeting.

So CBS Radio in particular, and commercial radio in general, besieged by scary new technologies—your Imeems, Pandoras, iTunes(es?), YouTube, BitTorrents, iPhones, etc.—decides that rock doesn’t cut it anymore, and that a switch to CHR was in order. (There’s already another CHR station in New York, a fact CBS Radio decided to spin by saying that New Yorkers now, for the first time, have a choice of which frequency they wish to hear that Taylor Swift song. (As if people care what station they’re listening to a song on, provided they’re tuning in at all.) The thinking here, one can only assume, is that radio companies feel that station formats like rock, classic rock and whatever else—radio formats with large back catalogues—don’t work in an iPod world. Why pay a DJ to spin Nirvana’s “Smells Like Teen Spirit” for the millionth time when a good chunk of your potential audience already has the song on their iPhone (or other music-playing cellphone) or iPod (or other portable media player)? Better to program a music station with NEW! HIT! music. That way there’s less of a chance of your audience having the song on their iPod, and there’s less of a chance of your audience saying, “Good God, again they’re playing [this song]! Time to listen to something else!”

We now turn to Mr. Bouloukos’ comment, that young people—most of you guys are young people, I would guess!—are “using the radio to discover today’s most popular music.” First off, that wording is just wrong. If a song is already popular—remember, 92.3 Now will only only play “hit music”—then the odds are that people have already heard it before; in other words, hit music is already popular! A song becomes popular when a lot of people know it, and enjoy it. If a song is popular, then people aren’t, by definition, “discovering” it! (Amateur Hour at CBS Radio, apparently.) Even giving Mr. Bouloukos the benefit of the doubt, that what he meant to say is that people are using radio to discover new music… well, good luck bro. I’d like to find the last 17-year-old in America who is using commercial radio as his primary source of new music. I mean, it’s not like these kids are using THE INTERNET to find new music, right?MySpace Music, music blogs like Hype Machine, sites like Imeem and YouTube, etc. (Then these kids turn around and buy said music either directly from the band’s Web site, or use iTunes or, yes, download it “from BitTorrent.” (BitTorrent is an Internet protocol; you don’t download things “from it.”)

You wanna know how I “discovered” Buraka Som Sistema, this ridiculous electronic group from Portugal? (Yes, I readily admit that my tastes in music are a little on the unusual side, at least by American standards.) On What.cd, a popular BitTorrent site, I was reading the profile of M.I.A., the girl who sings all those songs in Slumdog Millionaire. There’s a little related artists diagram, and one link leads to Buraka Som Sistem. I grab their latest album and say to myself, “holy smokes this is amazing.” (My favorite song of theirs happens to be “Yah! (The Count and Sinden Remix)”.) These guys are coming to New York in May, so barring some sort of catastrophe, I will be there and I will enjoy every last minute of it.

Never mind that commercial radio in New York City will never play Buraka Som Sistem!

Let’s try another example of how people discover new music in the year 2009. Opie, from the aforementioned Opie and Anthony show, had tweeted—there’s this thing called Twitter, CBS Radio, that I’m sure you’ll try to use before the year is out—a picture of a couple of CDs he had in his car. One of them was MGMT, an indie rock band that I had never heard of till then. Before you know it, hey, I’m now a fan of MGMT. What introduced me to this band? Nope, not crusty old commercial radio, but Twitter, a largely rubbish Web 2.0 site that, for all its faults, lets people talk nonsense rather effectively. One Tweet later, I now have another band to see when they swing by New York City.

CBS Radio, that is how people are “discovering” new music in the year 2009. They’re not listening to the radio, sitting through commercials, waiting for the marble-mouthed DJ to say, “Hey, here’s [Cool New Band].” Yes, we know. We heard about [Cool New Band] two weeks ago via Twitter/Facebook/MySpace Music/whatever. Thanks for trying to remain relevant, though!

Now, I still think radio, as a medium, isn’t dead yet. Plenty of people listen to talk radio, whether it’s of the comedy variety à la Opie and Anthony, of the political variety à la Hannity or Rush, or of the sports variety. (My God does sports radio delve into minutia!) Radio is great for news, too: nothing wrong with listening to the headlines while you’re stuck in traffic on the BQE. But this idea that CBS Radio, and others, cling to, that commercial music radio has a future, that people still seek out commercial radio to listen to new music, is laughably outdated.

I’m one that will rarely EVER argue in defense for CHR because in so many cases is it ever really “Conteporary.” Let’s look at the definiition of the word thrown around and bastardized by  format directors and some weak consultants…

con⋅tem⋅po⋅rar⋅y

    [kuhn-tem-puh-rer-ee] 

Contemporary means up to date; and in this day and age, it sure as hell means up to the minute! So in order to have a station that it Contemporary Hit Radio…you better be on the pulse of what people want right now…no pun intended just yet. 

Often, we find the CHR format being a lame excuse to replay the safe songs that people know enough not to lean up from their seat whilst driving/riding in the car and hit the next preset button in order to increase and savor the ever so important TSL (time spent listening.)  So much of CHR is stale, out of date, dry, and quite the contrary of contemporary.  I blame the out of date format directors that are too old to know what women 18-34 want.  I then blame the shook and scared program directors (PD’s) for not doing their own research to find out what their markets calls for! The edict of  ”don’t argue with your format director so you don’t lose your job” isn’t helping anyone! There’s a way to make your point while still having respect and the number one reason for constant rollover by the PD’s is due to the lack of their own research locally for a compelling rebuttal.  This is part of what is killing “radio.”

Technology opens up arenas to help radio.  Most people aren’t as closed minded as the suit in the office crunching numbers thinks. I don’t think I have ever met one single P1 listener for any format that is a slave to one genre of music.  Look at the factors that have been there: influence from kids, husband, wife, friends, social events and so on. Now look at the factors that have come into play in the last decade: Apple (all i-products therein), the dubious Napster, blog sites, sattelite radio. For these reasons, there is no flat out way to dispute that the 25 song “tight” playlist with minor changes over a 90 day period is enough so suffice.

So, for the out of date format directors WHO CAN NO LONGER RELATE TO MORE THAN 1/3 OF MUSIC GOING FOR ADDS AND THINK THAT RATINGS WILL COME BY SHUTTING ON AIR PERSONALITIES UP, stop what you’re doing and quit ruining radio. How do you expect your jocks to grow intro morning talent if all they do is intro songs?  PD’s, grab a spine and stand up for yourselves. One surefire way to get people to love your station is by memorable moments created by the talent; and no; regurgitation of show prep used by every day part talking up the post of a song doesn’t count as memorable.

All the above being said, find a way to get listeners to choose your side and allow them to brand for you the way you brand yourself to them and magic can happen. Just don’t patronize them! This can be a great opportunity for CBS to grow considering how well CHR has been doing in PPM markets. Is it an uphill battle? Yes. because the old crusty man they are trying to paint Elvis Duran as, is the same guy that people grew up listening to and love…and it will be hard for them to let that go.  This is just my humble opinion…